![]() He continues, his friend sitting quietly and listening. “The weight of the log snapped the limb of the tree, so I … I … I couldn’t even kill myself the way I wanted to. So, I made a rope and I went up to the summit to hang myself. The only choice I had, the only thing I could control was when and how and where that was gonna happen. ![]() I mean, I was gonna get sick or I was gonna get injured or something. I added it up, knew that I had … had lost her - cause I was never gonna get off that island. “Kelly added it all up, knew she had to let me go. “We both had done the math,” he later tells a friend from work. After a kiss in the rain at night where her driveway meets the road, they have that. Back in Memphis four years later, visiting with her at the home she has since made with her husband and daughter, they realize that what they are together for now is to say a proper goodbye to the relationship and dreams they’d had. Just before leaving on the ill-fated flight, he had given her one more Christmas present, which we are meant to assume is an engagement ring. (I once caught the story in progress and watched for a long time before realizing it was on HBO Latino, and that someone else was voicing Hanks’ Chuck Noland in Spanish.)Īfter he’s rescued, he’s reunited with the woman he had planned to marry. In fact, there are long stretches where he doesn’t say anything at all. His character’s FedEx jet goes down in the Pacific Ocean, and he is stranded on a desert island for four years. In “Cast Away,” it’s Christmastime again. And then after a while, I won’t have to think about how I had it great and perfect for a while.” “Well, I’m … I’m going to get out of bed every morning, breathe in and out all day long, and then after a while, I won’t have to remind myself to get out of bed in the morning and breathe in and out. On a Christmas Eve call-in radio show where his grief and loneliness become the focus, the host asks him what he’s going to do, having given up on finding that kind of love a second time. In “Sleepless in Seattle,” it’s his wife, whose burial is the opening scene of the movie. In two notable movie roles that come to mind, Hanks talks about the need to continue to breathe after suffering a loss - in both cases, the loss of a woman he loves. Thankfully, Hanks and Wilson are both still breathing, even after COVID-19 has shown us that it is far more complicated and elusive than we thought at the time. He and his wife, Rita Wilson, were diagnosed with it in March, back when it was thought of as primarily a respiratory disease. In real life, Hanks has been in the news this year for surviving the novel coronavirus. In several other films, we see the end of his life. In “Philadelphia,” AIDS eventually does just that. In “Splash,” his first major film, we come to a point where we wonder how he - a human named Allen Bauer - can be able to breathe under water, but we can be forgiven because until then we didn’t know much about mermaid magic. In “Joe Versus the Volcano,” his title character sets off on an adventure after being told he has an incurable disease that soon will have him breathing his last breath. When the lunar module for the mission that gives “Apollo 13” its name threatens the lives of the crew due to rising carbon dioxide levels, his Commander Jim Lovell tells the other two astronauts, “Just breathe normal, fellas.” Nearly every minute after that is a race against time and the possibility that all three will breathe their last breaths in outer space. You might be surprised by how often that isn’t always a given his character can count on. Whatever else Tom Hanks is doing in a movie, more often than not, he is breathing.
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